Maxime Dethomas At The Opera Ball - Toulouse Lautrec - Framed Picture 11"x14"
Henri Marie Raymond de Toulouse-Lautrec-Monfa, also known as Henri de Toulouse-Lautrec was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant and provocative images of the modern, sometimes decadent, life of those times. Toulouse-Lautrec is among the best-known painters of the Post-Impressionist period, with Cézanne, Van Gogh and Gauguin.
After the death of his brother, Henri's parents separated and a nanny ended up taking care of him. At the age of eight, Henri went to live with his mother in Paris where he drew sketches and caricatures in his exercise workbooks. The family quickly realised that Henri's talents lay in drawing and painting. A friend of his father, René Princeteau, visited sometimes to give informal lessons. Some of Henri's early paintings are of horses, a speciality of Princeteau, and a subject Lautrec revisited in his "Circus Paintings".
During a stay in Nice, France, his progress in painting and drawing impressed Princeteau, who persuaded Toulouse-Lautrec's parents to let him return to Paris and study under the acclaimed portrait painter Léon Bonnat. Toulouse-Lautrec's mother had high ambitions and, with the aim of her son becoming a fashionable and respected painter, used their family's influence to get him into Bonnat's studio.
With his studies finished, he participated in an exposition in Toulouse using the pseudonym "Tréclau", the verlan of the family name 'Lautrec'. He later exhibited in Paris with Van Gogh and Louis Anquetin. The Belgian critic Octave Maus invited him to present eleven pieces at the Vingt exhibition in Brussels in February.
Toulouse-Lautrec took part in the Independent Artists' Salon on a regular basis. He made several landscapes of Montmartre.
When the Moulin Rouge cabaret opened, Toulouse-Lautrec was commissioned to produce a series of posters. His mother had left Paris and, though he had a regular income from his family, making posters offered him a living of his own. Other artists looked down on the work, but he ignored them. The cabaret reserved a seat for him and displayed his paintings. Among the well-known works that he painted for the Moulin Rouge and other Parisian nightclubs are depictions of the singer Yvette Guilbert; the dancer Louise Weber, better known as the outrageous La Goulue who created the French Can-Can; and the much more subtle dancer Jane Avril.